printsdrawings

etsy shop: printsdrawings
listing: Woodcut
artist: unknown

"Woodcut" is a sophisticated study into the physical attributes of a wood plank and man's role in such. The imagery of wood grain is the result of mankind's involvement in handling this form of nature. To see wood grain, the wood must first be sawed. "Woodcut" investigates this relationship between man and nature.

Shown in "Woodcut" is a print taken from a milled slice of wood displaying the natural wood grain. This is "over-laid with original hard ground etching in black" as the artist states. This hard ground etching interprets the visual properties of the wood grain and it's quite a refined study.

In addition to mimicking the repetitive qualities of wood grain, there's a sort of structured human elements within. I offer two interpretations. 1: The bottom of the print is reminiscent of a two story structure with various pillars speaking to wood's role in architecture. 2: The vertical forms also say "bookshelves" to me which ties perfectly into the wood theme because books are made of paper.

phraser

etsy shop: phraser
listing: Louis Armstrong candid portrait in two tone wood
artist: Drake

Drake's etsy shop, phraser, currently features three unique portraits on oak plywood. I am very impressed by the technique used on all three. Each portrait is "done on high quality oak ply, stained with a gun stock base coat and then a mahogany top coat for all of the dark areas," as described by Drake. I've tried doing something very similar in the past by "painting" stain onto various woods to create high contrast graphic portrait. I failed miserably. The stain bleeds like mad even if you use strong tape as a masking agent. I don't know what gun stock base is, but it does a great job. I'm happy to see someone make this technique work.

The feature of this blog post is Drake's "Louis Armstrong candid portrait in two tone wood". There's an ample amount of compelling things going on in this painting. (Yes, I call it a painting because he painted on the stain.) There's a great sense of depth in this portrait which is a nice visual play because of the high contrast imagery and simplified color palette. The seat of the chair against the wall is crucial in defining the depth.

The chair also serves an excellent background from which to define Armstrong's trumpet. I'd love to see tighter details of the trumpet area. I'm just amazed at how much detail Drake was able to attain with this staining technique.

Whether intentionally done or not, the background is partially defined by a wall which speaks to the use of oak plywood. It's subtly implied that the wall is made of oak.

And the most alluring aspect of this painting is the reflection in the mirror of Armstrong. It allows us to see two interesting portraits. The first is the large, dominant portrait of Armstrong on the left with its sharp details defined by open light. The other is smaller, subdued, mysterious mirror image bathed in darkness.